JGL: Hi Jacques Andre and thanks for taking the time to speak with
Jazz Guitar Life. Before we get into anything, lets talk about
the first Montreal
Guitar Show that you have founded this year during the Montreal
International Jazz Festival. How did this come about and why now?
JAD: It is a pleasure! I love your web site.
Three years ago I created The Montreal
Musicians and Musical Instrument Show with the mission to
promote music making to all clienteles. It was an immediate success
(90 000 musicians participated to the event!). Being a guitar
lover myself, last year for the second MMMIS, I decided to add
a new component to the show: a guitar maker/luthier section. That
again was a success. So for the third MMMIS we decided to create
a different brand for the luthier component to make sure that
it would be easier to market internationally and locally. And
we made several modifications to the format of the show for it
to be better adapted to the guitar maker needs.
JGL: With artists like Michael
Greenfield, Linda Manzer, Bill Comins, Tom Ribbecke and a
host of others all in one area how difficult was it to "snag"
all that top talent for the Montreal Guitar Show?
JAD: We got a very good response from the luthiers.
I’m sure that the fact that we had a highly talended and
internationally renowned advisory committee was a HUGE factor.
Not many shows can say that they can count on the advices of Mario
Beauregard, Bill Comins, Rick Davis, Sergei de Jonge, Charles
Fox, Oskar Graf, Michael
Greenfield, Peter Hopkins, Michael Lewis, John Monteleone,
Tom Ribbecke and Jeff Traugott! And
since we had decided to top the number of luthiers at 70, we were
not able to accept all the requests we got from luthiers wanting
to exhibit.
JGL: What can one expect at the Montreal Guitar Show?
JAD: It is already the biggest guitar event in
Canada and one of the top in North America. I have tried to sum
it up…here it is!
70
OF THE BEST GUITAR MAKERS NORTH AMERICA AND EUROPE including Mario
Beauregard, Bill Comins, Rick Davis, Michael Greenfield, Peter
Hopkins, Michael Lewis, Linda Manzer, John Monteleone, Tom Ribbecke
or other Jean Rompré and several others.
WORKSHOPS
animated by Masters Luthiers like Sergei de Jonge, Charles Fox,
Oskar Graf and Ervin Somogyi.
A
SCORE OF FREE MINI-CONCERTS WITH Jerome Ducharme, Olivier Pip,
Ian Murphy, Brooke Miller, Bob Evans, Andre Lavergne, Greg
Clayton, Jason Fowler, David Galarneau, Sebastien Belley.
SEVERAL
FREE CONCERTS with Ritary Together, California Guitar Trio, Lionel
Loueke Trio and Brooke Miller, David Gogo, Jorge Martinez, John
Campbelljohn, Thomas Carbou, Erik Mongrain, Ray Bonneville, Denis
Chang Del Vezeau, Mimi
Fox, Gift Ross, Jim Weider and special guest Mitch Stein
SEVERAL
FREE WORKSHOPS AND MEETINGS WITH John Abercrombie, Viktor Wotten
and Bela Fleck, Bill Frisell, Alain Charon, Wayne Krantz, Mimi
Fox, Russel Malone and Randy Bachman.
A
SERIES Of MASTER CLASSES: jazz manouche (Denis Chang), classical
(Jean - François Hamel), flamenco (Francis Leclerc), acoustic
blues (John McGale), electric blues (Michael Jerome Browne), fingerstyle
(Antoine Dufour), fingerpicking (Jean - Luc Thievent) and jazz
archtop (Mike Gauthier).
AND
A SERIES OF GUITAR CONCERTS PRESENTED WITHIN THE MONTREAL JAZZ
FESTIVAL including Wayne Krantz, Béla Fleck, Meshell Ndegeocello,
Richard Bona, Richard Pinhas, Bill Frisell, Michael Scofield,
Marc Villemure, Steve Adelson, Russell Malone, Toumani Diabaté,
Juan Carmona, Jean-Sebastien Chouinard, Garry Burnside, Esperanza
Spalding, Alain Caron, Randy Bachman, George Thorogood, Buddy
Guy, Kevin Mark, Roberto Occhipinti, Bryan Lee, MG3 Montreal Guitar
Trio, Louis Mhlanga, Roland Tchakounté, Jack Simple, Anthony
Gomes and Sylvain Provost.
JGL: What is the difference between the Montreal Guitar Show and
the MMMIS (Montreal Musician and Musical Instrument Show) which
is now in its third year?
JAD: The MGS is 100% guitar…And even more
specifically…High end guitar. Only small production high
end luthiers were invited this year. MMMIS
is all musical instruments: from guitar to piano, brass, percussion
, electronic gear, etc…It is as well a great event (100%
free), quite interactive and tons of activities and workshops.
For example we organize activities for non musicians to get them
to be interested like «learn the guitar in 1 hour»,
«learn the saxophone in 1 hour», «learn harmonica
in 1 hour» or Djembe Jams, etc…All the info can be
found at www.mmmis.ca
JGL: I don't doubt that this first installment of the Montreal
Guitar Show will be a huge hit. Do you have any plans in the works
for next year?
JAD: Oh yeah! But I will wait for the show to
happen before going into that.
JGL: Could you talk a bit about the Ste-Cat
permanent guitar collection?
JAD: This is one of my favourite projects! Always
in the spirit of promoting music making, I created the Ste-Cat
permanent guitar collection. At least two guitars per year are
commissioned to luthiers participating to our show, chosen randomly.
This forms a bank of exclusive collector’s instruments which
are loaned for a year to young Quebec musicians. I know that for
a young musician to be able to afford a world class instrument
is a big issue…So we are making it happen for some lucky
ones! Last
year we started the collection with an archtop by Peter Hopkins
(www.hopkinsguitars.com),
a classical guitar by Jean Rompré (www.jeanrompre.ca)
a lefty flat top by Rick Davis (www.vtguitars.com)
and a flat top by Tim McKnight (www.mcknightguitars.com).
These guitars will be exhibited at the show!
JGL: The guitar talent in Montreal during the Jazz festival is
nothing less than extraordinary. Pat Metheny has practically become
a "second son" to Montreal, while this year Mike Stern
is hosting five nights of great music in various formats, Wayne
Krantz is performing three nights in solo, duo, and trio settings
and there's much more. Russell Malone, Bill Frissell, Allan Holdsworth,
John Scofield, Sylvain Luc and many more will be gracing the various
stages to delight Jazz Guitar lovers. What is it about Montreal
and the festival that attracts such amazing artists year after
year?
JAD: The Festival is obviously a Festival that
most musicians seek to do. And Montrealers are big guitar fans.
Ask Pat Metheny about the 1989 concerts in front of 150 000 people…Not
many jazz guitar players got to live such an experience!
JGL: As VP of the Montreal Jazz Festival and a self-proclaimed
guitar junky do you have any input in which guitarists get picked
for the lineup?
JAD: No. We have a very talented programming
team with André Ménard, Laurent Saulnier and their
gang! They do an amazing job of bringing the stars you dream to
see and the artists you need to discover.
JGL: Is there one particular genre of music that you listen to
the most and who are your fav guitar players?
JAD: I’m a very curious listener. I love
everything. From Opera to heavy metal! I have a thing for good
country. I like old blues, and jazz of course. I love singer songwriters.
I listen to well established artists and I love to discover artists
on myspace. Lots of great undiscovered gems. As
for guitar players…I am a huge John McLaughlin fan (especially
since his Montreal Jazz Fest concert in 2005). I do not get tired
of Stevie Ray Vaughan. One of my most important concerts was last
year in New-York, when I got to see and hear David Gilmour. I
love as well top cats like Joe pass, Vince Gill on the telecaster.
And I tend to listen for hours to Eric Clapton live version of
River of Tears! But you know, every day I discover amazing players
and it makes me happy!
JGL: On your website you describe yourself as a "week-end
guitar player (good enough to have fun but not to impress you!)"
Did you ever want to pursue music/performance as a career or was
there always some other career path that you knew you would be
following early on?
JAD: I was never good enough…I wish I was,
but I new I could not make the cut…But I still play because
it makes me happy…As a teen, I used to play in bands and
it was a very happy time of my life! But as I got to university
I needed to work to afford it. And then, the office the family
and the last thing you know it has been 15 years since you've
picked up your guitar When
I turned 40 years old, I understood something was missing…And
thanks to my good friend and guitar player Arno, I re-entered
a music store…I was hit by a bus! I got back to it and went
crazy!!! And now other then my lovely wife and my amazing daughter,
this is my passion!
JGL: Your guitar collection is quite envious and I'm sure you derive
a great deal of pleasure from it. What got you into collecting
and is it something that you do for the investment aspect of collecting
or is it more just for the joy of it?
JAD: It started as a pure joy thing…But
I must say; I quickly understood that it could be as well a sound
investment…Quite better then Nortel or Enron J. But what
makes it so important to me are the people you meet. The great
musicians that amaze me, the collectors that share the passion
and those amazing luthiers, artists in their own right!
JGL: Is there anything you would like to add for Jazz Guitar Life
readers?
JAD: Just one more thing…Please tell your
friends about it…The more people come the more chance we
get to have this world class event become the guitar destination
it can be!
JGL: Thank you Jacques Andre for taking the time to talk to Jazz
Guitar Life and much success with all your endeavors?
JAD: Thanks for this opportunity to share all
of this with you. Keep Jazz Guitar Life alive. It is a great site!
For
more information about the Montreal Guitar Show, visit www.montrealguitarshow.com
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